Ignite Phoenix, Austenland Review, and General Austenness

Today’s post is on all things Jane Austen. First, my Ignite Phoenix presentation, second, a bunch of Jane Austen pages I added to my website, and third, an Austenland review.

Ignite Phoenix

Friday, October 18th, I’m presenting at Ignite Phoenix on Pride and Prejudice: Jane Austen and the Art of Argument. There are presentations on everything from race car driving to NASA launches to hitchhiking–it’ll be a few hours of action-packed, 5-minute presentations. If you weren’t able to get tickets (or don’t live in Phoenix) you can watch the livestream (details here). It starts at 6:30 p.m. in Arizona (same time as California, for the moment).

Have I mentioned that I’m excited? Or that I made amazing bookmarks to hand out at the After Party?

Jane Austen Bookmarks

New Website Section: Jane Austenness

I went a little crazy and decided to create a bunch of new pages for my website, all about Jane Austen love. You know you want to read them:

Talk Like Jane Austen Day Button Jane Austen Fandom, Statues, and Websites ButtonGet the Books Button Argument in Pride and Prejudice Button

Austenland Review

Austenland

Have you ever wished you could just step in one of your favorite books and live there for a while? That’s the premise of Austenland–a thirty something single woman decides to spend her whole savings to go to an Austen theme park, where she gets to dress and act like a Jane Austen character for a several week period. This is a hilarious film on love, literature, and finding happiness wherever you are. I could not stop laughing, and I really want to see this movie again soon.

Anyone who likes Jane Austen loves this movie. To my family: I want a DVD copy as soon as it comes out–it would make a great gift, hint, hint.

Austenland was an independent film, made on a small budget (though you can’t tell from the film itself) and after premiering at Sundance Film Festival it was picked up by Sony. As such, it’s had a limited theatrical release, but it’s still playing in theaters across the US, and if you like Jane Austen, it’s worth a 20 or 30 minute drive to see. Google Austenland for showtimes near you or visit this website.

Writing Inspirations: “In Which Eve Names Everything Else”

My mini-play/story, “In Which Eve Names Everything Else,” recently won 2nd place in the 2013 Mormon Lit Blitz contest. (If you’re interested, you can also read the discussion of my play.)

The stories that I write are often inspired by a strange combination of things that I’ve been interacting with. Sometimes I have no idea what those inspirations are; other times it’s quite clear. For this story, I can trace four direct influences:

1. A Barenaked Ladies song

barenaked ladies

The day before writing the story I was listening to “A Word for That” on Toddler Radio. Here’s the opening lyrics of the song:

There’s a word for that
But I don’t seem to know it
Sometimes I grow a mustache
Just so I don’t have to show it

The word for that
That someone somewhere chose
For that little dented skin
Between my upper lip and nose

There’s a word for that
What does it start with, the word for that?
I’d sound so smart if I only knew
The word for that, perhaps you do

The word you’re looking for is philtrum

If you’ve short story, it’s pretty clear how the song impacted my ideas.

2. The History of Science

Francis BaconOver the past few years I’ve been reading lots of articles or books on the history of science. And in one of those texts (or perhaps several of them) it mentioned that alchemists used new words to obscure things, make them more mystical and less understandable, but in the “new science” of the Enlightenment, people like Bacon used new words to make things clearer.

For several months I had been thinking about how you need a word for something if it becomes an object of study in and of itself.

3. A Book on Writing Scenes

Crafting ScenesJust a few days before writing the play, I finished reading an excellent book, The Novelist’s Essential Guide to Crafting Scenes. I honestly had never thought about the scene as a unit before reading this book, and thinking about what a scene has to do really influenced the style in which I wrote the mini-scenes in my play (one of which is only two lines long, yet I feel is a complete scene).

4. A college class from my undergrad years

Paradise Painting by Lucas CranachBack in 2007 I took a Humanities capstone course, “The Eden Theme in Western Culture.” We read all sorts of Adam and Eve stories, and looked at how the Eden them influenced exploration, gardening, religion, and even film. This ideas sunk into me, and have forever changed the way I see Adam and Eve.

After my story was published, a reader pointed out that Mark Twain also wrote a humorous story about Adam and Eve naming things. I’d never heard of it before writing my play, but having read it, I can say there are some similarities, though Twain’s is much longer and much less reverent. (Twain actually wrote a whole set of Adam and Eve works. The one I just read is called “Extracts from Adam’s Diary.” I still need to read “Eve’s Diary,” which looks like it has amazing illustrations.)

On Writing the Play

I have never written the play before. I composed the first half, basically word for word, while I was in the shower. It was a long shower. I came out and transcribed it in between feeding kids, and wrote the rest that day.

A trusted reader gave me back a short set of revision notes. I submitted it to the 2013 Mormon Lit Blitz contest. It was chosen as one of 11 finalists from about 200 entries. The contest editors gave me a few minor revision notes. I revised. And then it was published.

It was one of those unusual circumstances where I felt like the story was largely given to me, where not very much changed from the first draft to the final version. You can call it a muse if you want, though I don’t believe in Greek goddesses. I’ll call it a blessing.

 

Image Credits:
 

New Page: Metaphors about the Writing Process

I’ve added a new page to my site with quotes and metaphors about the writing process. Okay, there’s a fair number of similes too, but similes are a type of metaphor.

The first semester I taught a college writing class, I got to the day I was supposed to teach about writing process and thought, I don’t know how to teach this.

Frustration

A visual metaphor for how I feel when I don’t know how to teach something.

Other parts of argumentation feel much more concrete and learnable: for example, you can clearly look at the examples a writer used to support their argument and analyze why they did or did not work.

Yet you can’t look at the final piece of writing and see the processes or strategies it took to get there. You may be able to tell if it was rushed or hurried, or sloppy and undeveloped thinking. But if it’s good writing, the process is basically invisible.

In regards to writing process, there are principles I believe firmly hold true: write everyday, if you’re going to procrastinate then do so wisely, research early and deeply, and turn off your internal editor while you’re writing a first draft.

Now you can say those things about writing, but how do you teach them, remember them, ingrain them? To me, that’s where metaphors about writing really come in handy. For example, if I think about writing as exercise, it makes sense that I should be writing everyday: I wouldn’t compete in a 10K without running regularly in advance.

So head on over and check out my page about writing metaphors. It’s a work in progress that will continue to evolve.

 

Image Credit: Sybren A. Stüvel, Creative Commons license

You Know it’s a First Draft When…

You know it’s a first draft of your novel when you write the following sentences in one of the closing scenes of your book:

They kissed. And then they kissed some more.

Yes. I just put that in my novel. It will be much different in the second draft. It will still involve kissing, but that will probably be the only similarity.

In good news, I just finished the first draft of my electric eels novel. It came in at 48,615 words, and is missing a number of scenes that won’t be added to the second draft, simply because I need to completely revamp one of the main story lines.

But I know that I’m done with this draft. Do you know how I can tell? I just got to the point in the story where I could type the following two words:

The End

Having seen the quality of what else I wrote today, I’m sure you’ll agree those are the best two words I wrote today.