A Tribute to Crappy, Little Parks (And Other Crappy, Little Things)

Today we walked to our neighborhood park. There was a mom’s group there, one of those groups that takes their kids to a different park or activity every week. “I think now we’ve been to every crappy, little park in the area,” one of the women complained to her friend.

Just as you can become a Connoisseur of Wines or Chocolate, you can become a Connoisseur of Fine Parks. And there are some pretty amazing parks within a 15 or 20 minute drive of my home, parks with splash pads and fancy climbing equipment, kid’s zip lines and real trains that you can ride for a few dollars.

Our crappy, little park has four swings and a modest playground. There is a poorly kept sand volleyball court and a few basketball hoops. And then some grass and trees.

A rather crappy picture I took at our park a few months ago. But my kids are smiling.

A rather crappy picture I took at our park a few months ago. But my kids are smiling.

But even though I’ve been to Fine Parks, I love our crappy, little one. At a toddler’s pace, it takes us 5 or 10 minutes to walk there from our home. And we always walk–we never drive. My little daughters race across the grassy field toward the playground, thrilled at the adventure. It’s a neighborhood park, so there’s always a swing available. A canopy shades the playground, so even when the Arizona heat is stifling, we can still play as long as we go early enough in the morning. My girls run and make up pretend games among the grass and the trees, and build things in the sand of the volleyball court. Sometimes we visit our little park 3 or 4 times a week, and we can go for a short 10 minute visit. It is always a familiar, intimate, and fulfilling experience.

I can attend a world-class performance of an opera or ballet and never be satisfied with community theater again. After seeing the great works of art in great, metropolitan cities, we can find a local museum boring and mundane. We can undervalue our own attempts at singing, writing, photography, art, decorating, or any act of creation, simply because we know how our attempts compare to the best on youtube, instagram, and pinterest.

Or we can find joy and value in the little things. We need little parks that add greenery to our neighborhoods, that we can walk to instead of driving. We each need to create, to make something truly beautiful and valuable, without having any need to compare it to the world’s best things in its category. We need to find meaning and joy in the everyday, or we will be forever seeking something bigger and better, and never find happiness.

And that is why I love my crappy, little park.

Excerpt of “The Clockwork Seer” and Character Casting

The Steel and Bone anthology will be released on Saturday, and in addition to pre-ordering the book, you can enter a Rafflecopter giveaway with a lot of awesome giveaways (free books, a ThinkGeek giftcard, and more!).

While you’re waiting, here’s an excerpt of my contribution to Steel and Bone, “The Clockwork Seer,” and my Character Casting.

Excerpt from “The Clockwork Seer”

There were too many people, but once the music started Medina could ignore them well enough. Her private viewing box made it easier, giving her a little separation from the crowd. Well-dressed men and women pushed through the aisles of the concert hall, finding their seats. Medina tasted cinnamon, a product of her own excitement and the energy of those surrounding her. Today’s performer hailed from the mainland: the brilliant Lucio Adessi, the best musician to visit the island this year. It was Sunday, the one day of the week that offered midday concerts.

The muscles in Medina’s arms convulsed. She clenched her hands onto the sides of her chair. The vision came as it always did: a shaking of her muscles, and a flash of colors and emotions. This time a spattering of small black and brown shapes cavorted across her sight, the taste of sour grapes sat on her tongue, and the scent of burning coal invaded her nose with a touch of fear. The vision was mild though, not overwhelming, thanks to the clockwork in Medina’s body which translated her visions into words and actions. Medina was mostly human—only a small part clockwork—and she often wished the sight would stop afflicting her so she could live a normal life. But she couldn’t do anything to prevent her clairvoyance. She waited expectantly for the typewriter in her right hip to print out instructions.

Thud, thud, thud, went the type hammers as they swung, pressing the metal slugs of type onto a small piece of paper. Then the typing stopped.

Medina paused with her hand to her hip, hesitating to take the paper. She tasted pickles, as she often did when she felt uncertain. Even when not receiving precognition, Medina experienced tastes and smells related to her emotions. Fortunately, this medical condition only ever heightened those two senses, while the visions flooded her five senses and all the nerves in her body.

The island caused her extrasensory gifts—or curses. The visions in particular tended to trouble her at inconvenient times, such as now, with the concert about to start. She did not want to miss it.

But she could not ignore a vision. She dared not risk it. Especially since the experience tasted of sour grapes, which she generally associated with monsters.

Medina glanced around to make sure no one was watching her, then opened the metal compartment in her side, which jutted out about an inch from her hip. She removed the piece of paper.

Tell the hall master to put out the nets.

The nets had only one purpose: to catch mechanical spiders. The newspaper hadn’t mentioned mechanical spiders in today’s forecast, but that didn’t matter. Medina’s visions were much more limited (and incredibly less useful) than those of the seer who worked for the newspaper: Medina could only foretell things directly related to herself, and only in the immediate future. Unlike most of those gifted with clairvoyance, she didn’t actually view the future; rather, what specifically she should do about it. But Medina’s visions were always accurate, so even if life would be easier without them, when they came she had to act, because of the small chance it might be about something important.
Medina dashed out of her loge—her private viewing box—not caring that people noticed her exit. She ran to the lobby of the building and hailed Mr. Frederic Cunningham, who owned the concert hall.

“Mr. Cunningham!” she gasped. “You need to put out the nets.”

“Spiders only come in the evening,” Mr. Cunningham replied. “It’s midday.”

But Medina had not planned to be here this evening, which meant the spiders could come at any moment. “You must put the nets out now. It’s important. I swear it on my life.” Medina’s hands shook. She folded them in front of her body, trying to stabilize herself. Even when ameliorated by clockwork, visions made her body weak and fragile.

Mr. Cunningham looked at the metal compartment in her hip. He knew she was part clockwork, and a seer. He’d grown to like her, as she had come to every single performance in the hall for the last four years. He had noticed that she preferred to sit alone, so he had given her one of the private loges without extra charge. Yet he obviously did not want to look like a fool by putting out his nets in the middle of the day. And she had never had a vision while in the concert hall before—in fact, she had never told him specifics about any of her extrasensory experiences.

“Please,” Medina pleaded. “Do it right now.” She had her own nets at home, but she could not bring them back in time.

“Very well,” said Mr. Cunningham. “But it better not deter anyone who is late to the concert.”

He instructed his assistants to put out nets. They looked confused but did not argue with him as they turned the cranks to lower the nets outside of the entryways and windows.

And then they waited, staring expectantly outside. No one knew exactly where the mechanical monsters came from or why there were so many more of them on the island than on the mainland. Rumors spread constantly about their mysterious creators and their plans, but Medina did not know what to believe.

A few seconds later, Medina gagged on the taste of sour grapes. Mechanical spiders rained down from the sky. They were the size of large dogs. Normally they rained all over the island, injecting venom into anything that could move and then crushing them with their mechanical jaws. But today they rained only on the street of the concert hall.

Men, women, and children on the street screamed and dashed away from the spiders. But the spiders did not attack them: they scampered on their eight legs across the road’s concrete surface towards the music hall, as if drawn by a magnet. She’d never seen them act like this before.
Medina tasted blood: fear.

 

#sorrynotsorry for leaving you with a cliffhanger. Now go pre-order the book!

Character Casting

My main character, Medina Nejem:

Clockwork Seer Profiles - Medina Nejem

 

My leading male, Lucio Adessi:

Clockwork Seer Profiles - The Virtuoso

 

And the tinker:

Clockwork Seer Profiles - The Tinker

 

And here’s a final link to the Rafflecopter. Lots of goodies await you!

Two New LDS Short Stories: “Yongrui and the Tree of Life” and “The Five Year Journal”

I don’t normally think of myself as a writer of LDS fiction, but I do occasionally write short LDS stories.

I have two that have recently been published.

“Yongrui and the Tree of Life”

Yongrui and the Tree of Life

“Yongrui and the Tree of Life” is a story about sickness and healing, faith and art. It combines Chinese and Garden of Eden mythology, brush painting, and family dynamics.

“Yongrui and the Tree of Life” won first place in the 2015 Segullah Fiction contest. Segullah is an online journal featuring the writing of LDS women.

“The Five Year Journal”

The Five Year Journal - A Short Story by Katherine Cowley

“The Five Year Journal” is a short story that examines four days in Hannah Rinehart’s life, over a five year period.

“The Five Year Journal” is a finalist in the 2015 Mormon Lit Blitz contest. Voting will take place at the beginning of June.

 

 

Image Credits: Chinese brushes image by smilla4 via flickr, Creative Commons license; journal by Smallest Forest via flickr, Creative Commons license

 

 

 

 

 

Cover Reveal: Steel and Bone Anthology

Sometimes there are events that make something feel real. Like having the cover of the book I’m going to be published in! Presenting… the cover of Steel and Bone. It’s a steampunk anthology featuring 9 stories. Coming in at 375 pages, there is everything from clairvoyance to floating islands to dinosaurs.

Here’s the cover of Steel and Bone:

Steel and Bone Cover

As you’ll notice, my name is listed first, and my story, “The Clockwork Seer,” is the first in the collection. The official description of my story, per the back cover and the Goodreads page:

On an island of oddities, a young clairvoyant struggles for normalcy, but deadly automatons have other plans.

I am sort of in love with my story. It’s features a woman named Medina who has a typewriter in her hip. The typewriter, and her other clockwork parts, make it possible for her to survive her visions, which are so violent that otherwise they would be debilitating. Enter a musician from the mainland, mechanical monsters, and an adventure ensues.

I hope that, come June 27th, 2015, you’ll get to know Medina, the clockwork seer. Steel and Bone will be available as both a print book and an ebook. So go add it to Goodreads!

Edited to Add: you can now buy the book on Amazon or learn more about it on the book’s page on my website.

Breastfeeding Mama, at the Tempe Community Writing Contest

Breastfeeding Mama

Question:

What do breastfeeding, Aztec fire rituals, family history stories, and porcupine quills have in common?

Answer:

They are all in my new essay titled “Breastfeeding Mama,” which won first place for adult nonfiction in the 2015 Tempe Community Writing Contest.

The History of the Essay:

I originally wrote this essay in January 2012 and submitted it to a writing contest. It sort of worked, but sort of didn’t. It then went through a number of further revisions. I even over-revised it to the point of ruining it. I took over a year off from the essay and then rewrote it, and started submitting it again.

Tempe Community Writing ContestThe Essay’s New Home:

This year was the first time for the Tempe Community Writing Contest. The contest was a collaboration between the Tempe Public Library and Arizona State University. There were three categories of writing (fiction, poetry, and nonfiction) and three categories of people (adult, college student, and teenager). Almost 200 people submitted, and my essay was a co-winner for the Adult Nonfiction category.

Last night they had a reception at the Tempe Public Library, and winners got to read selections from their pieces. My husband counted, and there were about 80 people in the audience. And everyone laughed at my writing. Which actually made me very happy, as it is a humorous essay. It’s when you write a humorous essay and people don’t laugh that you need to worry. You should also worry when people throw tomatoes at you. But there were no tomatoes in the library. Only cookies. And (perhaps unfortunately) no one threw any cookies at me.

Read the Essay Online:

The book of winners published by the Tempe Library is available for free online: Tempe Writer’s Forum Volume 1. My essay starts on page 57 of the pdf.

(If you’re interested in reading the honorable mentions, they are available online as well.)

Content warning:

There are both breasts and babies in this essay, both of which are known to make some people feel supremely uncomfortable.

 

Original heart image by skyler817, Creative Commons license