The Year of the Pivot: 2024, A Writing Year in Review

It’s the final day of 2024, which means it’s time for my annual Writing Year in Review post—highlights, lowlights, charts, and insights into my writing process. And at the end of the post, there’s an announcement about a new book I have coming out next year!!!

First, let’s look at how many hours I spent writing in 2024:

A chart showing the number of hours Katherine spent writing per month in 2024. January: 58. February: 55. March: 54. April: 60. May: 61. June: 41. July: 22. August 53. September: 92. October: 69. November: 84. December: 62.

(Note: I use Toggl to track my time—if you’d like to learn more, I wrote a post about how and why I use a time tracker for writing.)

As you can see, July was a rather low month at 22 hours—however, I did spend three weeks in Europe (I went to Paris for the first time, and I visited my parents in Vienna). The highest month was September, where I felt the back-to-school energy (despite not currently being a student/teacher). And the total for the year was:

711 hours writing

That’s fewer yearly hours than in recent years, but it’s been a tricky full year on many fronts, and it’s still a respectable showing.

And now, you ask, how did I spend my time?

Here’s a chart of how many hours I spent on each writing project over the course of the year:

A few insights into this chart:

Development – this is an umbrella I use to include critiquing other people’s writing, attending my writing group, participating in writing conferences, learning about writing craft, and networking.

Volunteer work – I’m on the board of directors for a writing nonprofit. It’s nice to do a little to give back to the writing community, and this year I guest edited the Holiday Lit Blitz.

Short stories – short stories are great to stretch my writing muscles, and some stories just belong in a short form. I also cheated this year and included a personal essay in this category, which leads to one of this year’s highlights:

A personal essay I wrote was nominated for a Pushcart Prize!

Red, blue, and yellow book cover which reads

Teaching writing – I taught a two-week writing class for the Lifelong Learning program at Kellogg Community College, and it was delightful. I’ll be teaching a class in March about writing adaptations and retellings, so if you live in West Michigan, watch for when their Spring catalogue drops.

Regency mystery novel – I’ve played a little with a new novel, that will likely be one of my major focuses for 2025.

One thing that didn’t end up on this chart…I gave up my writing office. Due to a variety of circumstances, one of my kids needed it as a bedroom. As I moved out of the space and into the edge of a different room, I definitely felt the loss. It’s hard not to read into the symbolism of giving up your creative space.

However, I learned something new last week: when Frank Lloyd Wright lived in Oak Park, he gave up his architecture studio so his kids could have a bedroom. A few years later he ended up designing and building an incredible new studio. So I’m sure good writing spaces will again be in my future.

Kathy outside a sign for the Frank Lloyd Wright house in Oak Park

Me outside of the Frank Lloyd Wright house

Part of Frank Lloyd Wright's new studio -- there's an octagon dome roof, chain supports, and lots of light.

A small part of Frank Lloyd Wright’s new studio in Oak Park


An architecture cabinet that’s also a partial column. Also, it can move.

And now, we come to the title of this blog post…

The Year of the Pivot

In the middle of 2024, I had a bit of a writing crisis. My family would argue that calling it “a bit of a crisis” is a gross understatement. My husband bought me a pot of succulents for my desk, which is a true indication of the gravity of the situation.

During the first half of the year, I spent 165 hours revising an 1870s mystery novel, bringing the three-year total for the book to 800 hours.

It’s doing a lot of cool things, but it’s a really tricky, complicated book. Due to a variety of factors, I realized that I needed to step away from the project. (As a note: I will be coming back to this book, but it may be a year or two before I figure out how to make it work. Fortunately, books are like soup—time stewing is almost always beneficial for enhancing the flavors and depth. I spent years thinking about The Secret Life of Miss Mary Bennet before writing it, and it really helped me figure out Mary’s character.)

Fortunately, about two weeks before I stepped away from the book, I had already decided on an Exciting New Book that I wanted to write/finish.

Pivoting was difficult, but it was also exhilarating. The new project—which for the moment, we’re still calling the Exciting New Book—brought me so much joy.

I ended up spending 213 hours on the Exciting New Book. And the book will actually be coming out in 2025.

It was a year of ups and downs, with lots of twists and turns, but it’s ending on a high note. Thanks for joining me on my writing journey, and Happy New Year!

And if you’d like a little more details, my new book is titled Write with Jane Austen: Masterclasses from the Master Storyteller.

And you can read more about this new book in this post:

An intriguing snippet which has Jane Austen's portrait and a mysterious gray box with the words, "Cover Coming Soon"
An intriguing snippet which has Jane Austen's portrait and a mysterious gray box with the words, "Cover Coming Soon"

New Book: Write with Jane Austen

Write with Jane Austen: Masterclasses with the Master Storyteller. The image also contains a mysterious gray box with the words "Cover Coming Soon," and a picture of Jane Austen

2025 is Jane Austen’s 250th birthday, and to celebrate, I am releasing a book titled Write with Jane Austen: Masterclasses with the Master Storyteller.

A Description of the Book

It is a truth universally acknowledged that if a writer wishes to write well, she should learn from the very best of writers. In other words, she should study with Jane Austen.

Write with Jane Austen is the definitive guide on how to improve your writing. Its lessons and examples draw from Austen’s six published novels and from her unpublished works. This book will help you craft a character’s internal and external journeys, create effective antagonists and obstacles, construct compelling relationships, capture a setting without disrupting the forward movement of the narrative, improve your style, and compose dialogue which brings the characters and the story to life. Each chapter contains writing exercises which will help you internalize and apply these principles.

Whether you write romance, women’s fiction, historical fiction, mystery, or any other genre, this book will enable you to emulate Jane Austen’s proven techniques and improve your storytelling. This guide will also increase any reader’s appreciation for Austen’s craft.

Background on the Book

From 2020 to 2022, I wrote a blog titled Jane Austen Writing Lessons. For each post, I took a writing topic (for instance, writing sympathetic characters) and explored principles and techniques that could be learned from Jane Austen’s six published novels.

Jane Austen Writing Lessons. With an image of the original cover page of Pride and Prejudice; a color image of Jane Austen; an image of tea and pastries with an open book, and an early cover of Sense and Sensiblity.

I had a fabulous time writing about sixty-five posts, and the blog was recognized by The Write Life as “one of the best websites for writers in 2021.” A number of readers and friends encouraged me to turn the blog into a book. I played with the idea, but I was working on other projects, so I never pursued it.

Fast forward to the summer of 2024. I realized that this coming year—2025—is Jane Austen’s 250th birthday. And I decided that this was the next project of my heart: to create a book on creative writing through the lens of Jane Austen’s works.

And so I went to work.

I didn’t want the book to read as a series of blog posts—I wanted beautiful chapter arcs. I ended up scrapping about 50,000 words from my blog. Delete. Delete. Delete.

There were also a number of new chapters and sections I wanted to write. And write I did. I added chapters on relationships, rising action, the climax, style, and more. The book is over 50% brand new material that never appeared on my blog, and the chapters taken from the blog have been heavily revised.

I still have a bit more editing to do, and then the book will be copy edited and proofread, but it won’t be long until I can send the book out into the world.

Crowdfunding Write with Jane Austen on Kickstarter

I am really excited to release Write with Jane Austen in an interactive way, through Kickstarter. Kickstarter is a crowdfunding website designed exclusively for creative projects. It has been used extensively by both new and established authors, including bestselling names like Brandon Sanderson.

The classic green Kickstarter logo.

I’m using Kickstarter because:

  1. It’s a great platform to run preorders for books.
  2. It’s interactive and exciting—I’ve personally backed 19 projects on Kickstarter, and as a reader, I love knowing that I can help bring a project to life. I also love the comments section (Kickstarter is the only place where it’s fun to read the comments!), the in-process updates from the creator, and the feeling of community.
  3. Running a Kickstarter will help cover the production costs for the book (i.e. cover, professional editing, etc.)
  4. Releasing a book on Kickstarter allows my loyal readers, friends, and fans to get a copy of the book months before it’s available to everyone else.
  5. Kickstarter allows me to offer other things in addition to the book—like writing workshops and a special edition workbook. (I will tell you more about these in the near future!)

The Kickstarter for the project will go live in March/April—to be the very first to know when it does, visit the book’s pre-launch page and click “Notify me on launch.”

Final Thoughts

I’m really excited to share this book with the world. Reading Jane Austen has changed my life for the better, and studying her craft in depth has transformed my writing. She truly is the master storyteller.

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My regular newsletter contains information about my books, events, giveaways, and my reading recommendations. It will include some updates on the Write with Jane Austen book.

The Write with Jane Austen newslettter will include more updates on the book, exclusive tidbits, and mini-writing lessons to tide you over until the book is available.

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2023, A Writing Year in Review: Bulbs and Beavers (and Pie!)

2023: A Writing Year in Review. With a picture of a tree, barely standing as it has been gnawed by a beaver, and tulips next to a mailbox.

Last year, in 2022, I had two novels and two short stories published, wore fancy dresses and attended two awards ceremonies, ran a successful Kickstarter for a nonprofit, spent 937 hours writing, and had what is, for writing, a rather glamorous year.

This year was very different.

A hipster writer. He looks at you instead of his page. He might be pensive, but he might be sadness. Perhaps writing requires a certain weight of sadness, at least in 2023.

Above: Peak 2023 writing energy. Deposit photos says he is “hipster.” If I owned that hat, maybe I would be hipster too.

In 2023, I had no books published. I attended no award ceremonies. I spent 880 hours writing (which is lower than the amount spent in 2020, 2021, and 2022). I hit a point in the revisions process where my confidence (as a writer) decided to indulge in clichés and completely shatter, like a Corelle soup bowl on the kitchen floor, shards of glass scattering across two full rooms. (Corelle is made of tempered glass, so it’s not supposed to break easily, but in my house, we’ve broken at least four bowls and plates this year.)

Yet right now, as I look back on another year of writing, I feel good about 2023.

Hours Spent Writing Per Month in 2023, by Katherine Cowley. January: 68. February: 59. March: 82. April: 104. May: 59. June: 85. July: 67. August: 82. September: 68. October: 71. November: 83. December: 50.

This year of writing was like planting bulbs in the fall with the hope that they’ll come up in the spring. Yes, despite the spicy hot pepper-based deer repellant, the deer might still eat all of them, but chances are, next year I’ll have tulips.

A small garden bed of brightly colored tulips.

A picture of my tulips from this spring. Unlike in 2022, when the deer ate all my tulips a few days before they blossomed, in 2023 my tulips survived so they could act as a positive metaphor.

This year of writing was also like a beaver, gnawing on trees. There are lots of trees to gnaw on. There’s a lodge to maintain. There’s pesky, flowing water that must be stopped. Sometimes people put up metal netting so you can’t get to the best trees. Sometimes you take down a whole tree at once, but most of the time, that’s not possible. So you start on a few trees and make some progress, knowing that you’ll have time to do the rest later.

A tree in a marshy area of a pond. It has been gnawed on on both sides by a beaver, yet somehow it stays standing.

These are pictures that I took that show the efforts of the local beavers at the Asylum Lake Nature Preserve in Kalamazoo, Michigan. Every few months, I check on the beavers’ progress.

What trees did I gnaw on this year? Well, there’s a chart for that.

I love charts, I love pie, and I love writing. This collision of all three interests was meant to be.

And now, in classic bar graph form:

Hours Spent Per Writing Project in 2023. New Murder Mystery: 437. Development: 200. Website, etc.: 97. Personal Writing: 50. Short Stories and Essays: 30. Writing Nonprofit: 26. Translations: 18. Submissions: 17. Other Projects: 5.

And, because I like writing, some written details for a few of the categories:

New Murder Mystery (437 hours)

These 437 hours are on top of the 227 hours I spent on this book last year, bringing the total up to 664. This is the most research-intensive, complicated, and challenging book I’ve written. It’s also been like making soup—the components have needed time to stew together, so the flavors develop properly.

Development (200 hours)

  • Conferences: Malice Domestic and the Midwest Mystery Conference
  • Critiquing and writing group
  • Networking
  • Writing craft and mystery genre research
  • Accounting, taxes, and business stuff
  • Planning and considering goals

Website, etc. (97 hours)

Website, newsletters, blog posts, and a few book events! My most popular blog post for the year was on Mary Bennet and Mr. Collins.

Mary Bennet and Mr. Collins. Why didn't they marry? Would they have made a good match?

Submissions (17 hours)

Most of this time was spent applying to an art residency. I didn’t get selected, but I was on the short list, and now I have a very solid concept for a future book that I plan to write.

Looking to 2024

Me with my 2024 planner, which matches my sweater. Maybe I am hipster after all.

I often have a 2-year writing plan, with all my upcoming projects figured out. I don’t right now, and that’s both terrifying and liberating.

I do know that I’ll need to do more revisions on my current mystery novel. I want to write some short stories, and spend a few weeks focusing on reading and doing other things to refill my creative well. I suspect I will start a new book. Will that be a sequel to my current novel or to Mary Bennet? Or something entirely new? Only time will tell.

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In front of the Barbie movie poster, with a t-shirt that says "This Barbie is a writer" on the back

I Just Bought My First Barbie + My Thoughts on the Barbie Movie

This week, I–a thirty-something year old woman–bought my very first Barbie doll.

I never owned a single Barbie when I was a child. Yet I desperately wanted one. I loved going over to friends’ houses and playing with Barbie dolls, dream houses, and pink cars.

I never asked for a Barbie because I assumed that my parents would be opposed to them and everything Barbie stood for (a sexualized, unattainable, and perhaps undesirable version of reality–clearly they wouldn’t that want that).

Years later, one of my younger sisters had Barbies, and I realized that I should have asked. Maybe a Barbie would have been outside of my family’s budget, but maybe it would have become that coveted Christmas present.

Fast-forward to myself as an adult, and my daughters own dozens of Barbie dolls, several Chelsea dolls, and a few pets. And, lest I forget, a single Ken doll. I have bought Barbies for them and Barbies for birthday presents, as if I am trying to make up for lost time. And I’ve spent many hours playing Barbies with my children. One of my youngest’s favorite versions involves designating half of the Barbies as villains and often includes kidnapping, tying Barbies up with ropes, and all manner of treachery and shenanigans.

Then came the Barbie movie. Not those animated movies that my daughters used to watch that I find supremely annoying, but THE 2023 Barbie movie.

I knew, from the moment the first Barbie teaser trailer dropped, that I would love the Barbie film. After all, 2001: A Space Odyssey is one of my favorite films, and if a director can manage to do a perfect homage, remaking every shot but with baby dolls, then I’m on board for the ride. (I’ll spare you the 1000-word analysis of the opening sequence of 2001…but know that this analysis is ever in my heart.)

Earlier this week, I was feeling very prepared for the Barbie movie:

  • Group of friends to go with? Check.
  • Tickets to opening night? Check.
  • Outfit? Check. (Matching Barbie shirts with customized “This Barbie is…” statements on the back.)
In front of the Barbie movie poster, with a t-shirt that says "This Barbie is a writer" on the back

But I wanted a Margot Robbie Barbie doll. My internal voices, the same voices that led me to not ask for a Barbie, told me:

  • I don’t need a Barbie doll
  • I’m an adult–clearly I don’t need a Barbie doll
  • This is a waste of money
  • I’m going overboard for this movie, when I’m not even a Barbie superfan

I decided not to listen to the voices. I bought the Barbie doll.

And then I brought my very own Barbie–my very first Barbie–with me to the movie.

The showing was absolutely packed, mostly with women, but also with men and children. And the film was a delight. It was a perfect mix of comedy, cultural references, and simultaneous lighthearted embracing and mocking of fandom and society, mixed with touching, heartfelt moments.

One of the things I’ve struggled with throughout my adult life is a feeling of internal conflict. Of wanting to be many things, but feeling like my wants and desires don’t match up with all the many versions of what the different cultural, social, religious, and family groups I am a part of think I should be. It’s something I’ve tried to work through with therapists, but almost always I feel this internal tension, this sense that I’m not enough, this almost-wish that I could just happily fit into one of the roles that has been prescribed for me, and somehow just feel happy and content in this role. Could I just not want more? Could I just not want something different? Wouldn’t life be better that way?

This movie–Barbie’s journey, Ken’s journey, Gloria’s journey, Sasha’s journey–made me feel less alone. It made me feel like maybe I’m not the only one struggling with this. In fact, this is something everyone faces–especially women. Like Barbie, I can be who I want to be. Like Barbie, I can take on many roles. Like Barbie, there will be challenges and conflict, and the path won’t always be clear. But I can keep trying.

I have no regrets about buying myself a Barbie doll.

Me with my Margot Robbie Barbie doll
Hours Spent Writing Per Month in 2022. January: 103 hours 39 minutes. February: 80 hours 59 minutes. March: 84 hours 4 minutes. April: 58 hours 12 minutes. May: 108 hours 44 minutes. June 66 hours 52 minutes. July 57 hours 21 minutes. August: 47 hours 30 minutes. September: 108 hours 49 minutes. October: 93 hours 28 minutes. November: 77 hours 5 minutes. December: 49 hours 58 minutes.

Big Mary Bennet Energy: 2022, A Year in Review

And now, as we reach the final day of 2022, it is time for my annual writing year in review.

I spent 937 hours writing in 2022, and my year looks like a series of waves.

Hours Spent Writing Per Month in 2022. January: 103 hours 39 minutes. February: 80 hours 59 minutes. March: 84 hours 4 minutes. April: 58 hours 12 minutes. May: 108 hours 44 minutes. June 66 hours 52 minutes. July 57 hours 21 minutes. August: 47 hours 30 minutes. September: 108 hours 49 minutes. October: 93 hours 28 minutes. November: 77 hours 5 minutes. December: 49 hours 58 minutes.

Due to a variety of outside factors, my writing time varied from 47 to 109 hours each month, but it did so in an aesthetically pleasing way, which is definitely a win.

(Note: 937 hours is less time than I spent writing in 2021, when I wrote for 1000 hours, but more than I spent writing in any previous year.)

Which leads us to the next chart: how did I spend my time?

Hours Spent Per Writing Project in 2022. Website, Guest Posts, Book Launches, Presentations, Marketing 309 New Murder Mystery 227 Development 148 Board of Directors for Writing Nonprofit 75.5 Jane Austen Writing Lessons 54.5 Journal Writing 49 Mary Bennet Book 3 32 Novel I'm abandoning 24 Other 18

This year had big Mary Bennet energy, and that determined a lot of my writing hours. True, I only spent 32 hours doing final revisions on my third Mary Bennet novel. But the second and third books in the Mary Bennet spy series were both released:

The True Confessions of a London Spy in March 2022

The Lady’s Guide to Death and Deception in September 2022

Katherine Cowley at This is a Bookstore/Bookbug with Ladys Guide to Death and Deception

I had my launch party for The Lady’s Guide to Death and Deception at This is a Bookstore/Bookbug in Kalamazoo, MI.

It was exciting to have these books released in close proximity, because then readers could enjoy the full story arc without having to wait very long. As you’d expect, two book releases takes up a lot of time, and I spent 309 hours on everything from my website to guest blog posts to presentations to marketing tasks.

This year was also thrilling for the first book in the series, The Secret Life of Miss Mary Bennet, which had several award wins and nominations:

-Winner of the LDSPMA Praiseworthy Award for Best Suspense/Mystery novel

LDSPMA Praiseworthy Award 2021.

-One of five nominees for the Mary Higgins Clark Award

At the Edgar Awards: me with three of the other finalists for the Mary Higgins Clark Award

-One of five finalists for the Whitney Award for Best Mystery/Suspense novel

The Big Question: Will we see more of Mary Bennet?

I have had so many readers finish the third book and ask, “Will we see more of Mary Bennet?” Others have asked if I will write a Kitty Bennet series.

The series was originally conceived as a trilogy. I wanted it to feel complete and have a satisfying resolution for Mary (and company) by the end of the third book.

However, there are other stories that I would love to tell about Mary and her sisters. So I think it’s fair to say that there will very likely be more books in Mary and/or Kitty’s futures.

That said, I have been working on this series non-stop from 2017 to 2022. Five full years. That’s a lot of time to spend in one story world, with one set of characters. A book takes me at least a year or two to write, and it’s very all-consuming. So I decided that the time had come to work on a brand new murder mystery.

The New Murder Mystery:

I’m still keeping this largely under wraps, but I will say that my new murder mystery is set in Paris in the late 1800s, with a number of fascinating historical figures. The main character of the book is a determined woman in her thirties trying to make her way in the world. But then there is a theft and a murder, and she is drawn into solving the mystery.

I spent 227 hours on this book in 2022. While I had to do a lot of research for the Mary Bennet novels, I already had a strong background on Jane Austen and Regency England. I did not have that same background for my new murder mystery, so I’ve had to do a lot of additional research on everything from politics to architecture. Fortunately, I love research. One thing I didn’t count towards writing time was studying French. I’m fluent in Portuguese, and reading Portuguese definitely helps with reading French, but knew I needed to study French itself to help me read some of the sources (including newspapers and a few biographies) that are only available in French.

A few of the research books I’ve read for my current novel

While I love research, one cannot research forever. One of the things that I am most happy about for this year is that I found my main character’s voice, I found my narrator voice, and I found the voices of many of my other characters.

I’m now at the 60% mark on the first draft. In the new year, I plan to finish the first draft and then revise, revise, revise.

What Else Counted as Writing:

There are endless other things that counted as writing this year, but here’s a few of note:

-Choosing out formal gowns. I rented dresses for both the Edgar Awards and the Whitney Awards, and I definitely counted the dress search as writing time. (Under my Development category, which includes all writing and career development.)

Katherine Cowley in her dress for the Whitney Awards

My dress for the Whitney Awards. Both my dress for the Edgars and the Whitneys were from Rent the Runway.

-I ran a successful Kickstarter for a writing nonprofit and helped publish an anthology.

-I abandoned a novel. I went back and began another revision on an old mystery novel I wrote in the mid-2010s. And then I decided it’s not the right book, so I am officially abandoning it. We’re all better off.

-I wrote 17 new Jane Austen Writing Lessons, focusing on what Jane Austen can teach us about writing dialogue and writing emotions.

-I worked on a few short stories. And I had two short stories published, both with a bit of a religious bent: “The Gift of Undoing” in Saints, Spells, and Spaceships, and the darkest story I’ve ever written, “Burdens,” in Irreantum.

My Writing Plans for 2023:

I have a number of goals, including setting up bookstore and library visits (note: if you’re a bookseller or librarian, I am available for both in-person and virtual visits).

Mostly though, I’m going to buckle down and write, so you can read more of my short stories and novels in the future.